GUMBRECHT, Hans Ulrich. Modernização dos sentidos. Tradução de Lawrence Flores Pereira. São Paulo: Ed.34, 1998. 319p.
sexta-feira, 18 de fevereiro de 2011
Bubbhadeva Bose Bose (Literatura indiana em inglês)
BOSE, Buddhadeva. Meu tipo de garota. Tradução de Isa Mara Lando. São Paulo: Companhia das Letras, 2011. 146p. Título original: My kind of girl (Mones Mato Meye).
Jorge Zaverucha (Teoria)
ZAVERUCHA, Jorge. Armadilha em Gaza: fundamentalismo islâmico e guerra de propaganda contra Israel. Prefácio de João Pereira Coutinho. São Paulo: Geração Editorial, 2010. 176p.
segunda-feira, 7 de fevereiro de 2011
Exposição "Das coisas em geral"
DAS COISAS em geral. Exposição de objetos do colecionador Oswaldo Costa. São Paulo, fevereiro de 2011.
Sobre a exposição, na Folha de S.Paulo: clique aqui.
domingo, 6 de fevereiro de 2011
Exposição "Escolhas de artistas" em Jerusalem (Exposições temáticas)
ARTISTS' CHOICES: Zvi Goldstein, Susan Hiller e Yinka Shonibare (Guia da exposição, The Israel Museum, Jerusalem, July 2010 - January 2011).
Informação disponível sobre os artistas na internet:
Informação disponível sobre os artistas na internet:
Zvi Goldstein: Haunted by Objects
Israeli artist Zvi Goldstein brings together over 400 objects - ranging from masterpieces from the collections to everyday objects found in the Museum's offices and storerooms - in a dense floor-to-ceiling installation that challenges contemporary concepts of museum installation and curatorship. Evoking a 16th-century cabinet of curiosities, the exhibition juxtaposes prehistoric goddesses, African masks, and objects of Judaica side-by-side with Dada ready-mades by Marcel Duchamp, a sculpture by Donald Judd, and photographs by such artists as Manuel Alvarez Bravo, Harold Edgerton, and André Kertész. Interspersed among these works are sixty-two short poems from Goldstein's book, Room #205, written following his experience hovering between daydream and hallucination in a Tel Aviv hotel room. The texts are linked associatively with the objects on view, and serve to elucidate hidden connections among them.
Susan Hiller: A Work in Progress
Drawn largely from the Museum's holdings in modern and contemporary art, American-born London-based artist Susan Hiller assembles a selection of 34 paintings and sculptures linked by a web of personal and associative threads. Within this new context of the installation, Hillel encourages the visitor to reconsider each work regardless of the original cultural meaning. The presentation includes works by a diverse group of international contemporary artists, including Christian Boltanski, Hannah Collins, Anya Gallacio, Erez Israeli, Anselm Kiefer, and Barbara Kruger.
Yinka Shonibare: Earth, Wind, Fire, and Water
Yinka Shonibare, raised in Nigeria but born and based in London, has chosen over 200 works from the collections to explore ways in which cultures influence one another, while also highlighting humanity's commonalities. Grouped according to the organizing principle of the four universal elements - earth, wind, fire, and water - the objects in the exhibition are linked by associative and aesthetic relationships, as well as by the artist's signature focus on hybrids, combining distinct and seemingly disconnected cultural elements. Four life-size figurative sculptures, created especially for the exhibition, personify the four elements and reflect Shonibare's emblematic style of dressing figures in Victorian-era garments made from colorful "African" batik fabrics.
Israeli artist Zvi Goldstein brings together over 400 objects - ranging from masterpieces from the collections to everyday objects found in the Museum's offices and storerooms - in a dense floor-to-ceiling installation that challenges contemporary concepts of museum installation and curatorship. Evoking a 16th-century cabinet of curiosities, the exhibition juxtaposes prehistoric goddesses, African masks, and objects of Judaica side-by-side with Dada ready-mades by Marcel Duchamp, a sculpture by Donald Judd, and photographs by such artists as Manuel Alvarez Bravo, Harold Edgerton, and André Kertész. Interspersed among these works are sixty-two short poems from Goldstein's book, Room #205, written following his experience hovering between daydream and hallucination in a Tel Aviv hotel room. The texts are linked associatively with the objects on view, and serve to elucidate hidden connections among them.
Susan Hiller: A Work in Progress
Drawn largely from the Museum's holdings in modern and contemporary art, American-born London-based artist Susan Hiller assembles a selection of 34 paintings and sculptures linked by a web of personal and associative threads. Within this new context of the installation, Hillel encourages the visitor to reconsider each work regardless of the original cultural meaning. The presentation includes works by a diverse group of international contemporary artists, including Christian Boltanski, Hannah Collins, Anya Gallacio, Erez Israeli, Anselm Kiefer, and Barbara Kruger.
Yinka Shonibare: Earth, Wind, Fire, and Water
Yinka Shonibare, raised in Nigeria but born and based in London, has chosen over 200 works from the collections to explore ways in which cultures influence one another, while also highlighting humanity's commonalities. Grouped according to the organizing principle of the four universal elements - earth, wind, fire, and water - the objects in the exhibition are linked by associative and aesthetic relationships, as well as by the artist's signature focus on hybrids, combining distinct and seemingly disconnected cultural elements. Four life-size figurative sculptures, created especially for the exhibition, personify the four elements and reflect Shonibare's emblematic style of dressing figures in Victorian-era garments made from colorful "African" batik fabrics.
Gioacchino Rossini - óperas
O barbeiro de Sevilha
ROSSINI, Gioacchino. The Barber of Seville: opera in two acts. The Israel Philharmonic Orchestra, Tel Aviv, January 2011. (programa em edição bilíngue hebraico/inglês). - indexado em Diversos anteriores a 2015.
ROSSINI, Gioacchino. O barbeiro de Sevilha: ópera em dois atos. Equipe artística: Cléber Papa; José de Anchieta. São Paulo, Theatro Municipal de São Paulo, 14 a 21 de fevereiro de 2019. 2015p. (programa em edição bilíngue italiano/português).
L'italiana in Algeri
ROSSINI, G. (2019): ROSSINI, Gioacchino. L'italiana in Algeri / A italiana em Argel: ópera em dois atos. Direção artístico-pedagógica: Paulo Zuben. Concepção e encenação: Livia Sabag. São Paulo, Theatro São Pedro, 2 a 11 de agosto de 2019. 71p. (programa em edição bilíngue italiano/português).
ROSSINI, Gioacchino. The Barber of Seville: opera in two acts. The Israel Philharmonic Orchestra, Tel Aviv, January 2011. (programa em edição bilíngue hebraico/inglês). - indexado em Diversos anteriores a 2015.
ROSSINI, Gioacchino. O barbeiro de Sevilha: ópera em dois atos. Equipe artística: Cléber Papa; José de Anchieta. São Paulo, Theatro Municipal de São Paulo, 14 a 21 de fevereiro de 2019. 2015p. (programa em edição bilíngue italiano/português).
L'italiana in Algeri
ROSSINI, G. (2019): ROSSINI, Gioacchino. L'italiana in Algeri / A italiana em Argel: ópera em dois atos. Direção artístico-pedagógica: Paulo Zuben. Concepção e encenação: Livia Sabag. São Paulo, Theatro São Pedro, 2 a 11 de agosto de 2019. 71p. (programa em edição bilíngue italiano/português).
Assinar:
Postagens (Atom)